Not the plot. The pull.
Every song starts where a book left you - undone, and not sorry about it.
Nora writes from inside the stories that keep you up past sunrise - the slow burns, the villains you root for, the endings that hurt in the good way. Each track on her debut lives in a different book, sung from the heroine's side of it, so the feeling you couldn't put into words finally has a sound.
Twelve tracks, twelve worlds — each one written from the heroine's chest, for the readers who felt every page. This is what those books sound like.